OK, so I have now recorded some reference wav's in the style of Dinsync (
http://www.dinsync.info/2010/02/tb-303- ... 0xb0x.html). There are quite a few but I did ignore some of the lowest settings as there wasn't much of an output from them (same with Dinsync). I am planning to add some mods fairly soon, but before that I'd like to get my stock machine sounding its best. If anyone with a good ear for these things could provide some insight I'd be very grateful.
To me the sound has a harshness and doesn't have the required elastic/rubbery/'wump'/'wow' tone that I really associate with a 303. (Strangely these recordings sound nicer to me that what I am hearing either through my mixer/amp/monitors or headphones direct from the x0xb0x

).
All notes are standard low C on the keyboard without any octave shift, and each wav has 16 hits folling this pattern:
1. C saw
2. C saw accented
3. C square
4. C square accented
5. C saw (as above but with certain knob position changed...)
....
16.
Position percentages relate to the amount of Cutoff, Res, Env Mod, Decay, Accent
Also there is a bit of a pattern at the end with various knob movements to give a less static view of the sound.
Reference sounds + Square then saw patternHow do these appear? Anything obvious that I should be looking to change in my X0xb0x????
SET-A1.wav
position 1 25% 0% 0% 0% 0%
position 2 50% 0% 0% 0% 0%
position 3 75% 0% 0% 0% 0%
position 4 100% 0% 0% 0% 0%
SET-C1.wav
position 1 25% 50% 50% 50% 50%
position 2 50% 50% 50% 50% 50%
position 3 75% 50% 50% 50% 50%
position 4 100% 50% 50% 50% 50%
SET-C2.wav
position 1 50% 25% 50% 50% 50%
position 2 50% 50% 50% 50% 50%
position 3 50% 75% 50% 50% 50%
position 4 50% 100% 50% 50% 50%
SET-C3.wav
position 1 50% 50% 25% 50% 50%
position 2 50% 50% 50% 50% 50%
position 3 50% 50% 75% 50% 50%
position 4 50% 50% 100% 50% 50%
SET-C4.wav
position 1 50% 50% 50% 25% 50%
position 2 50% 50% 50% 50% 50%
position 3 50% 50% 50% 75% 50%
position 4 50% 50% 50% 100% 50%
SET-C5.wav
position 1 50% 50% 50% 50% 25%
position 2 50% 50% 50% 50% 50%
position 3 50% 50% 50% 50% 75%
position 4 50% 50% 50% 50% 100%
SET-D1.wav
position 1 25% 75% 75% 75% 75%
position 2 50% 75% 75% 75% 75%
position 3 75% 75% 75% 75% 75%
position 4 100% 75% 75% 75% 75%
SET-D2.wav
position 1 75% 25% 75% 75% 75%
position 2 75% 50% 75% 75% 75%
position 3 75% 75% 75% 75% 75%
position 4 75% 100% 75% 75% 75%
SET-D3.wav
position 1 75% 75% 25% 75% 75%
position 2 75% 75% 50% 75% 75%
position 3 75% 75% 75% 75% 75%
position 4 75% 75% 100% 75% 75%
SET-D4.wav
position 1 75% 75% 75% 25% 75%
position 2 75% 75% 75% 50% 75%
position 3 75% 75% 75% 75% 75%
position 4 75% 75% 75% 100% 75%
SET-D5.wav
position 1 75% 75% 75% 75% 25%
position 2 75% 75% 75% 75% 50%
position 3 75% 75% 75% 75% 75%
position 4 75% 75% 75% 75% 100%
SET-E1.wav
position 1 25% 100% 100% 100% 100%
position 2 50% 100% 100% 100% 100%
position 3 75% 100% 100% 100% 100%
position 4 100% 100% 100% 100% 100%
SET-E2.wav
position 1 100% 25% 100% 100% 100%
position 2 100% 50% 100% 100% 100%
position 3 100% 75% 100% 100% 100%
position 4 100% 100% 100% 100% 100%
SET-E3.wav
position 1 100% 100% 25% 100% 100%
position 2 100% 100% 50% 100% 100%
position 3 100% 100% 75% 100% 100%
position 4 100% 100% 100% 100% 100%
SET-E4.wav
position 1 100% 100% 100% 25% 100%
position 2 100% 100% 100% 50% 100%
position 3 100% 100% 100% 75% 100%
position 4 100% 100% 100% 100% 100%
SET-E5.wav
position 1 100% 100% 100% 100% 25%
position 2 100% 100% 100% 100% 50%
position 3 100% 100% 100% 100% 75%
position 4 100% 100% 100% 100% 100%